alexa black

alexa black

About

About

About

Alexa Black is a multi-disciplinary artist of Nahua, Maya and Irish heritage creating as a guest on traditional, ancestral and unceeded territory of the Coast Salish peoples, including the Xwməθkwəyə̓’m (Musqueam), Skwxwú7mesh (Squamish), and Səílwətaʔ/Selilwitulh (Tsleil-waututh) nations.


Her chosen variety of mediums include small and large format photography as well as graphite drawing. they are the vehicles that reveal the magic of hidden realms that exist parallel to our terrestrial and colonially defined reality. these primarily self taught practices are ignited by the energies of her indigenous ancestral territories, animism and healing.


Her most recent work finds her reconnecting the seams of her fractured identities, by reclaiming and amplifying the voices of her silenced ancestors from matrilineal blood lines.


Enamoured with the wet plate collodion process, Alexa learned the foundations of the craft in 2015. she was able to develop her drawing through a 9 month sponsorship at the Barcelona academy of art in 2022, and further her practice to developing mammoth plates with her new mentor, john coffer in 2023.

Work

Work

Work

Nepantla, as conceptualized by queer Chicana feminist theorist, Gloria Anzaldúa, involves the transference of cultural and spiritual values of one group to another, specifically as experienced by people who feel the in-between-ness of multitudes within their own identity. This yields sentiments of being in a constant state of transition, which builds tolerance for contradiction.


Kyriarchy is an intersectional feminist theory that explores power and oppression depending on one’s ever changing positionality. This acknowledges how we relate to one another, and each other’s experiences within our socio-cultural worlds. 


Framed within the art of cartomancy, Nepantla and Kyriarchy inform the shared sense of wholeness experienced through this work. 


The goal of this project is to not only initiate ritual and ceremony that engages critical reflection of self and the world, but also, to reconnect fragmented identities, inspiring new ways of existing in wholeness and connectedness within the flesh.  


** PRESALE: NEPANTLA, THE WETPLATE ORACLE DECK **

Interview

Interview

Interview


We're excited to have you here. To start off, we'd love to get to know you! Tell us a little bit about yourself and what you do!



We're excited to have you here. To start off, we'd love to get to know you! Tell us a little bit about yourself and what you do!


We're excited to have you here. To start off, we'd love to get to know you! Tell us a little bit about yourself and what you do!

I am a wet plate photographer and a surrealist-realist illustrator working in graphite and charcoal. As a mixed-race Nahuat, Mayan, and Irish woman, my artistic journey is profoundly influenced by my heritage. My work draws inspiration from themes of identity, with a strong emphasis on women of color feminist theory, identity politics, and, most importantly, indigenous epistemology, which I learn from my elders in our critically endangered community.

When told about the theme for this exhibit, how did you begin the creative process?


For the past seven years, I have been meticulously crafting magical items, and I am now entering the final stages of releasing this distinctive body of work. My lifelong immersion in esoteric studies and traditional indigenous medicine practices has made the creative process both natural and seamless.

Tell us your magic item.

Nepantla, possesses a consciousness of her own. She takes the form of a tarot deck, revised to eliminate many colonially implied constructs. As an interactive piece of living art, her role is to not only initiate ritual and ceremony that engages critical reflection of self and the world, but also, to reconnect fragmented identities, inspiring new ways of existing in wholeness and connectedness within the flesh. The themes interwoven into this body of work include:

Nepantla: A Nahuatl term conceptualized by queer Chicana feminist theorist Gloria Anzaldúa, Nepantla represents the transference of cultural and spiritual values between groups, particularly for those experiencing the in-between-ness of multiple identities. This state of constant transition fosters tolerance for contradiction.

Kyriarchy: An intersectional feminist theory exploring power and oppression relative to one's ever-changing positionality. It acknowledges the dynamics of how we relate to one another and our socio-cultural experiences.

Framed within the art of cartomancy, Nepantla and Kyriarchy inform the shared sense of wholeness experienced through this work.

Who or what influences do you look to for inspiration?

Women of color feminist theorist, such as Bell Hooks, Gloria AnzadÚa and many more. My elder/ Matriarch, Nanztin Sixta Parez

If you were a flavour of ice cream, what would it be and why?

salty cacao with almond butter because Cacao is medicine for the heart

What are you reading right now?


The way of the Tarot by Alejandro Jodorowsky and If Women Rose Rooted to reconnect to my Gaelic language.